The club’s first crest (1) initially appeared on 20 October, 1905, when the “Book of Football” published an article on Woolwich Arsenal football club written by the club's vice-chairman Arthur Kennedy, with the crest proudly accompanying the article.
It is universally acknowledged to be based upon the Woolwich Borough coat of arms (2), but adds the laurel leaves and has the wording expanded in ribbons to make it look slightly grander than the original. It has the same three cannons with lions' heads and the exact same Latin motto: ‘CLAMANT NOSTRA TELA IN REGIS QUERELA’ meaning “Our weapons clash in the King’s quarrel”.
The Woolwich municipal crest was designed in 1901 to coincide with the town becoming the Metropolitan Borough of Woolwich – a part of the recently constituted London County Council. Woolwich had been moved from Kent in 1889 hence the need for a re-branding of the civic image, and this highlights the civic pride that Arsenal Football Club felt in their military dominated borough.
The cannons on the original crest were obviously a reference to the military influence in Woolwich and despite the club’s ties with the area being cut 89 years ago, the cannon theme has developed throughout the years and has remained prominent on the Gunners different crests down the years, including the new design. In the early days the crest was not as significant a part of a football club’s identity as it is today. Shirts remained plain, unless commemorating a significant match, an FA Cup Final for example, and the crest was generally reserved for official headed stationery, matchday programmes and handbooks.
Following Arsenal’s move north to Highbury in 1913, it wasn’t immediately apparent that the club would embrace the Woolwich Arsenal legacy and keep the cannon as a recognisable motif. The club soon became just ‘Arsenal’, the Great War affected football for four seasons and recommencing in 1919/20 ‘normal’ football took some time to settle. During all of this period there was no sign of a crest as such but, in the first matchday programme of the 1922/23 season, when the Gunners played Burnley, a new club crest (3) was revealed – a fearsome looking cannon – that would have sat proudly in the Royal Arsenal of Woolwich. As can be seen the vertical cannons have gone with the new design featuring a single eastward pointing cannon. Whoever designed this robust looking weapon saw his handiwork used by the club for just three seasons however, and for the start of the 1925/26 season, the Gunners changed to a westward pointing, narrower cannon (4) with the legend ‘The Gunners’ remaining next to it.
The derivation of the narrower cannon has never been officially confirmed, but the cannons on the crest of the Royal Arsenal Gatehouse in Woolwich (5) are uncannily similar to that used as the Gunners’ symbol. This cannon crest remained prominent in the Arsenal matchday programme and other publications for 17 seasons. It changed slightly through the years with the wording eventually disappearing, but, despite being usurped by the Victoria Concordia Crescit crest in 1949 it has remained a basic symbol of the club ever since, featuring on official merchandise and stationary throughout the years right up until the present day.
The VCC crest (6), which the current crest replaced, had been Arsenal’s symbol since appearing in the first programme of season 1949/50. It would appear to have been in the minds of the Gunners hierarchy for at least a year prior to this. In the final matchday programme of the 1947/48 League Championship winning season, ‘Marksman’ (aka Harry Homer), the programme editor of the day, wrote: “...my mind seeks an apt quotation with which to close this season which has been such a glorious one for Tom Whittaker, Joe Mercer and all connected with The Gunners. Shall we turn for once to Latin? ‘Victoria Concordia Crescit’. Translation: ‘Victory grows out of harmony.’”
Two seasons later and Arsenal unveiled its new crest which incorporated Marksman’s Latin maxim. Tom Whittaker explained in the 1949/50 handbook (which also included the new crest) that the club had been impressed by Marksman’s motto and it had now been officially adopted by the club. The new crest also featured ‘Arsenal’ in a gothic style typeface, the westward facing cannon, the Borough of Islington’s coat of arms and ermine.
For the next 53 years this crest remained largely unchanged (7), though at the start of the 2001/02 season it was ‘cleaned up’ somewhat (8) for commercial reasons, with a solid yellow replacing the different tones of gold and Victoria Concordia Crescit written in a less ornate typeface.
The club’s identity has thus evolved over the years and the decision to formulate a new crest (9) in 2002 was taken to embrace the future and move forward. With Emirates Stadium on the horizon and the Gunners consistently challenging for domestic and European honours, the club believed it was the ideal time to introduce a new crest.
The shirt for the 2011/12 season featured a special 125th anniversary crest design (10) combining the graphic of the first club crest with the current version.
The celebratory design features 15 laurel leaves to the left side of the club's crest to reflect the detail on the reverse of the six pence pieces paid by 15 men to establish the club - the laurel leaves also represent strength.
The 15 oak leaves to the right of the crest acknowledge the founders who would meet in the local Royal Oak pub. Underneath the crest is one of the first recorded mottos related to the armament and battle - 'Forward' - with the anniversary dates of 1886 and 2011 either side of the heart of the shirt.
THE ART DECO CREST
It was inlaid into the floor of the 'Marble Halls', it sat proudly over Highbury's main entrance on Avenell Road and was even forged onto the heavy steel doors themselves.
The hexagonal Art Deco "A-football-C" symbol has been synonymous with Arsenal Football club since the 1930's and still appears today on scarves, badges and mugs in the club shop; but what do we know about the history and design of this stylish Art Deco symbol?
Britain's leading authority on football stadia and author of 'Football Grounds of England and Wales', Simon Inglis, explains further...
"When Herbert Chapman took over the club in 1925 it took him a little while to appreciate what the possibilities of a club in central London were.
"One of the first things Chapman and Claude Waterlow Ferrier [the architect of Highbury's East and West stands] did was to "rebrand" the club.
"They created the symbol with the 'A' (standing for 'Arsenal'), the ball ('Football') and the 'C' ('Club'), which is in itself a fantastic piece of corporate branding.
"You look all around Highbury and you see examples of that. Taking football from the Victorian era into the 20th century. This is what Highbury embodied, the synthesis between architecture and innovation."
Although Chapman died two years before the iconic East Stand was opened his legacy and the symbol he helped to create live on.
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